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Quick Gig Facts
Jane Alcorn

I was a student at Stony Brook from September 1967-June 1971. I espcially remember seeing them at a dance (we called them "Moods") in H Quad at SUSB. They seemed to be the "house band" and played at a lot of semi-official events on the campus.

Here's my ticket stub (#326) from the 1967 Phil Ochs concert and my youthful note on the reverse, (including the name of my date that weekend at the bottom!).

Robin Simon

"Phil Ochs... A Dove Perched Atop His Guitar"

The Phil Ochs Concert, sponsored by the Student Activities Board in the Stony Brook gym, on Friday, October 20, signalled the start of Fall Festival Weekend. It promised and confirmed an exciting evening.

Phil Ochs was excellent. Strumming, a dove perched atop his guitar, he sang some of his best folk ballads.

His songs were designed to mix the controversial with the poignant. Ochs sang to tell a message that had to be told. It was a message that demanded an answer.

Ochs appealed to reason. He asked if we would calmly accept the suicide of the United States, when he sang "I Declare the War Is Over."

He challenged the youth of America for their meekness in going to war because their elders tell them to, and he sang "I Ain't Marchin' Anymore."

Ochs provided a bitter commentary on American life in "When in Rome, Do as the Romans Do", and when he sang "Changes", one forgot the outer world and only rememembered the inner world of passing time.

Ochs shared the Stony Brook posters with a musical group, Steve Noonan with Soft White Underbelly. Noonan and his group were loud and exciting.

Noonan had a great voice, and was backed up with a comfortable beat by his group. Their songs like "Tumble Down" and "Songs to the Street Singer" were electric. Or, Noonan's rendition of "Buy For Me" was soft and plaintive.

A note in passing about the Holy Modal Rounders who opened the concert. Comprised of a fiddler who gave a running commentary, and a silent guitarist, the Rounders were a very disappointing start to a great concert.

Their music was thin and trite, as was the fumbling for a flat pick or even the right words to use.

Even though the Holy Modal Rounders were poor, Phil Ochs and Steve Noonan with Soft White Underbelly combined to form a fantastic start to Stony Brook Fall Festival Weekend.

from "The Statesman" (25 October 1967) by Robin Simon

Quick Gig Facts
Quick Gig Facts
Quick Gig Facts